L’ideologia del disincanto e della violazione. La rinegoziazione di una geometria spettacolare

[Autom. eng. transl.] The deegetization of the device in contemporary cinema, in more or less metaphorical forms, from the representation of the cave to that of secondary screens, often serves to show some difficulties of media communication, the ineffectiveness of a certain cinematographic way of laying the world. The representation of the malfunctioning and profaning of the device and the rhetoric of the tactics of much contemporary cinema serve to propose a renegotiation of spectacular geometry, to promote a different device and ideology.