L'evidenza del mondo. Cinema contemporaneo e angoscia geografica

[Autom. eng. transl.] Something with geography and cinema in common: the intent to describe, to make sense of the world by representing it in images, to give it form, to archive it, to make it visible in its entirety, to be appropriated in intellectual terms, if not really materials. However, contemporary cinema shows that its "geography" is considered more problematically. It sometimes seems to have noticed (or convinced itself) that its role has changed, that it can no longer - perhaps it should not - look in a certain way, and that as a device it has fundamental limitations. The limits of their own logic, of their way of thinking about the world.