Abstract
The essay explores the change of audience and cinema experience in Italy after the sonorisation of cinema. Through the analysis of a wide spectrum of documents (cinema journals, researches, institutional data -ie SIAE data,..) the essay proposes a innovative cadre of the history of the film audiences and of the cinema in Italy.
| Translated title of the contribution | [Autom. eng. transl.] The transformations of consumption after the advent of sound |
|---|---|
| Original language | Italian |
| Title of host publication | Storia del cinema italiano. Vol. IV. 1924-1933 |
| Editors | Leonardo Quaresima |
| Pages | 356-363 |
| Number of pages | 8 |
| Publication status | Published - 2014 |
Keywords
- cinema experience
- italian cinema audience
- sound cinema and italian cinema audience
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