L’attesa di Rebora. Fonti dei Canti anonimi e frammenti inediti a cavallo della Grande Guerra (con un nuovo documento per la lettura di Dall’imagine tesa)

Translated title of the contribution: [Autom. eng. transl.] Waiting for Rebora. Anonymous sources of songs and unpublished fragments at the turn of the Great War (with a new document for reading Dall'imagine tesa)

Roberto Cicala

Research output: Contribution to journalArticlepeer-review

Abstract

The discovery of an unpublished document illuminates the famous and most anthologized poem of Clemente Rebora (1885-1957), Dall’imagine tesa, offering a new interpretation to the mystery of the headline figure, important because it represents the meaning of the poet’s «terrible choice» after the dramatic experience of World War I and love with the Russian pianist Lydia Natus. The time of search and expectation, which has its outcome in Catholic conversion and in religious choice with a secret vote, pervades the collection of Canti anonimi, whose sources are investigated thanks to some author’s archival fragments. Roberto Cicala - Valerio Rossi, Università Cattolica del Sacro Cuore, Milano.
Translated title of the contribution[Autom. eng. transl.] Waiting for Rebora. Anonymous sources of songs and unpublished fragments at the turn of the Great War (with a new document for reading Dall'imagine tesa)
Original languageItalian
Pages (from-to)783-802
Number of pages20
JournalAEVUM
VolumeLXXXIX
Publication statusPublished - 2015

Keywords

  • carte d'archivio
  • filologia dei testi a stampa

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