Abstract
[Autom. eng. transl.] On January 21, 1761, the show L’amore delle tre melarance by Carlo Gozzi made its debut at the Teatro San Samuele in Venice. In 1772 the comedy was published by the Colombani publisher with the title Reflective analysis of the tale L’amore delle tre melarance. Representation divided into three acts. The author does not entrust the complete dramatic text to the press, but a canvas, a detailed and commented summary containing the salient points of the development of the action, the most significant dialogues, references to the actors' acting, stage costumes, reactions of the public and the polemical and parodic intent of the comedy itself. Mask, fairy tale and game represent the leitmotif of this analysis, from Gozzi's work to Sanguineti's "disguise" staged by Benno Besson in 2001.
| Translated title of the contribution | [Autom. eng. transl.] The love of the three oranges: mask, fairy tale and game from Gozzi to Sanguineti and Besson |
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| Original language | Italian |
| Title of host publication | Il futuro retrospettivo: conservatorismo e innovazione nell'opera di Carlo Gozzi |
| Pages | 241-252 |
| Number of pages | 12 |
| Publication status | Published - 2021 |
| Externally published | Yes |
| Event | Carlo Gozzi 1720/2020. Convegno per il terzo centenario della nascita - Verona Duration: 30 Nov 2020 → 2 Dec 2020 |
Conference
| Conference | Carlo Gozzi 1720/2020. Convegno per il terzo centenario della nascita |
|---|---|
| City | Verona |
| Period | 30/11/20 → 2/12/20 |
Keywords
- Benno Besson
- Carlo Gozzi
- Edoardo Sanguineti
- Maschera, fiaba, gioco
- The Love of Three Oranges
- travestimento