La raccolta di mottetti di Federico Malgarini (1618): uno spaccato di vita musicale mantovana tra routine e vivacità culturale

Translated title of the contribution: [Autom. eng. transl.] Federico Malgarini's collection of motets (1618): a cross-section of Mantuan musical life between routine and cultural vivacity

Licia Mari

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Abstract

The paper analyzes the collection Mottetti a una, due, tre e quattro voci col basso continuo per l’organo (Venezia, Giacomo Vincenti, 1618), edited by Federico Malgarini (himself a musician and a cantor for the basilica of S. Barbara). In the dedication of this collection, Malgarini declares of having gathered «with care and dedication» compositions by other musicians employed by the Duke of Mantua. Thus, the analysis of these motets offers us some valuable insights not only on textual and compositional choices, but on the Mantuan cultural and music scene as well. Indeed, Malgarini gathered pieces from several artists. Some of them were singers, like Francesco Rasi, who, in 1607, played the role of Orpheus in the eponymous opera by Claudio Monteverdi. In the collection we can find also the maestri di cappella Amante Franzoni and Francesco Dognazzi, Ottavio Bargnani, organist, and the brothers Orazio and Giovan Battista Rubini, violinists
Translated title of the contribution[Autom. eng. transl.] Federico Malgarini's collection of motets (1618): a cross-section of Mantuan musical life between routine and cultural vivacity
Original languageItalian
Title of host publicationBarocco Padano 3, Atti dell’XI Convegno internazionale sulla musica italiana nei secoli XVII-XVIII
Pages405-421
Number of pages17
Publication statusPublished - 2004
Externally publishedYes
EventBarocco Padano - BRESCIA -- ITA
Duration: 16 Jul 200118 Jul 2001

Conference

ConferenceBarocco Padano
CityBRESCIA -- ITA
Period16/7/0118/7/01

Keywords

  • Malgarini, Federico
  • Mantua
  • Motets
  • vocal sacred music

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