[Autom. eng. transl.] In recent years, thanks to the progressive digitization and convergence in the television system, it has become increasingly aware of the crucial role played by on air promotion. These are real "promotional cultures", which follow specific rules, processes and production routines and best practices, and which at the same time strongly differentiate the offer of the various networks and publishing groups. This incessant activity is basically, and overall, the greatest content the network has at its disposal to communicate itself to the viewer. The essay intends, therefore, to provide an insight into the state of the art of a television profession that is too often forgotten, and at the same time to have the possibility of reading its continuous evolution in the contemporary scenario. Initially, the different promotional types on air will be identified and defined; in a second reminder, instead, we will move on to the illustration of the production process underlying these promotional campaigns and to the analysis of their language and their relevance in the current scenario of abundance and media convergence.
|Translated title of the contribution||[Autom. eng. transl.] The promotion on air|
|Title of host publication||La televisione. Modelli teorici e percorsi d’analisi|
|Editors||M Scaglioni, A Sfardini|
|Number of pages||13|
|Publication status||Published - 2017|
- identità rete
- promozione televisiva