Abstract
The paper analyzes Amante Franzoni’s pieces for double choir, with a focus on matters concerning performance practice in an architecturally peculiar venue such as the palatine basilica of S. Barbara in Mantua, where Franzoni worked as maestro di cappella
| Translated title of the contribution | [Autom. eng. transl.] The polychorality of Amante Franzoni: compositional and concertation aspects |
|---|---|
| Original language | Italian |
| Title of host publication | Barocco Padano 7, Atti del XV Convegno internazionale sulla musica italiana nei secoli XVII-XVIII |
| Pages | 455-476 |
| Number of pages | 22 |
| Publication status | Published - 2012 |
| Externally published | Yes |
| Event | Barocco Padano - MILANO -- ITA Duration: 14 Jul 2009 → 16 Jul 2009 |
Conference
| Conference | Barocco Padano |
|---|---|
| City | MILANO -- ITA |
| Period | 14/7/09 → 16/7/09 |
Keywords
- Franzoni, Amante
- double choir
- performance practice
- sacred music