Abstract
The article analyses Alessandro Blasetti's film "Contessa di Parma" with the aim of identifying its role in the affirmation of Italy's ambiguous fascist modernity
| Translated title of the contribution | [Autom. eng. transl.] subjective modernity. Notes on a sequence of Countess of Parma by Alessandro Blasetti |
|---|---|
| Original language | Italian |
| Title of host publication | Forme della regia. Scritti in onore di Vito Zagarrio |
| Editors | S. Parigi, C. Uva |
| Pages | 77-79 |
| Number of pages | 3 |
| Publication status | Published - 2022 |
Keywords
- Alessandro Blasetti
- Alessandsro Blasetti
- Cinema italiano
- Contessa di Parma
- Italian Cinbema