Abstract
[Autom. eng. transl.] The essay outlines an evolution of the relationship between Italian cinema and modernity that knows a first significant flowering in the belle epoque (a modernity designed by the cultural and artistic elites and that cinema makes popular) and is reassembled giving itself structures, means and strategies in the Fascist period. (modernity "imagined" by the media, in a largely backward Italy), before exploding with arrogance in the second post-war period.
| Translated title of the contribution | [Autom. eng. transl.] Modernity in three moves |
|---|---|
| Original language | Italian |
| Title of host publication | Figure della modernità nel cinema italiano (1900-1940) |
| Editors | Raffaele De Berti |
| Pages | 15-43 |
| Number of pages | 29 |
| Publication status | Published - 2008 |
Keywords
- belle epoque
- cinema italiano
- modernismo
- modernità
- psicologia del cinema
- tecnologia