Abstract
[Autom. eng. transl.] The article analyses some sculptural experiments in Milan in the seventies, focusing on an original development of the constructivist legacy read through the comparison with contemporary American art. In particular, some experiences are examined, those of Amalia Del Ponte, Nada Vigo and Giancarlo Marchese, who through the use of reflective or transparent materials highlight the objectual character of the sculpture and at the same time its process of appearance within the exhibition context.
| Translated title of the contribution | The shape disappears. Object, theatricality and baroque in the abstract sculpture of the early seventies in Milan |
|---|---|
| Original language | Italian |
| Pages (from-to) | 101-113 |
| Number of pages | 13 |
| Journal | ARTE LOMBARDA |
| Volume | 2024 |
| Issue number | 202 |
| Publication status | Published - 2025 |
Keywords
- scultura astrazione milano barocco trasparenza oggetto teatralità
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