Abstract
[Autom. eng. transl.] The essay studies the forms of theatrical organization in the seventeenth century and examines in particular the ways of movement of singers and comedians among the Italian courts. Thanks to unpublished documents found in the private archive of the Borromeo family, the studio focuses on the role of Count Borromeo as through the agreements necessary to engage the performers for the shows of the Ducal theater in Milan, managed by an impresario, especially on occasions in which the shows were included in the dynastic festive celebrations that marked the history of the Spanish governors in Milan.
| Translated title of the contribution | [Autom. eng. transl.] The «conduct of musicians» and comedians in 1677 in Milan |
|---|---|
| Original language | Italian |
| Title of host publication | Barocco Padano 5 |
| Pages | 643-700 |
| Number of pages | 58 |
| Publication status | Published - 2008 |
| Event | Barocco padano 5. XIII Convegno internazionale sulla musica italiana nei secoli XVII- XVIII - Brescia Duration: 18 Jul 2005 → 20 Jul 2005 |
Conference
| Conference | Barocco padano 5. XIII Convegno internazionale sulla musica italiana nei secoli XVII- XVIII |
|---|---|
| City | Brescia |
| Period | 18/7/05 → 20/7/05 |
Keywords
- Commedia dell'Arte
- barocco
- baroque
- cantanti
- commedia dell'arte
- music theatre
- singers
- teatro
- teatro impresariale
- teatro musicale
- theatre
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