Abstract
The phrase “musical language” is synchronically/diachronically widespread and universally applied to music, and the issue embedded in it is a typically cultural-musical issue that belongs - by definition and par excellence - to the “broad field of cultural musicology” . Its definition as cultural-musical presupposes that such an issue is musical insofar as it is cultural and viceversa not only because it “is never a question of music alone” (as if “music alone” existed and might be represented in mere technical and specialized terms).
| Original language | English |
|---|---|
| Publisher | EDUCatt |
| Number of pages | 9 |
| Publication status | Published - 2017 |
Keywords
- historical perspective
- musical languages
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