Il polittico trecentesco, ancona dell’altar maggiore: ipotesi e problemi

Translated title of the contribution: [Autom. eng. transl.] The fourteenth-century polyptych, ancona of the main altar: hypotheses and problems

Carlo Cairati

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

[Autom. eng. transl.] The contribution retraced the events of the great polyptych purchased in Venice before 1392 and destined for the high altar of the Basilica of San Pietro in Ciel d'Oro in Pavia, of which the central compartment depicting Sant'Agostino in the chair at the Pinacoteca is conserved Malaspina. At the same time, through the rereading of the survivor Liber expensarum operum ab year 1380 to annual 1402, the vicissitudes of the construction site promoted by the Pavia hermitans in the last decades of the fourteenth century, in which the very young Michelino da Besozzo is also active, were traced.
Translated title of the contribution[Autom. eng. transl.] The fourteenth-century polyptych, ancona of the main altar: hypotheses and problems
Original languageItalian
Title of host publicationSan Piero in Ciel d’Oro a Pavia mausoleo santuario di Agostino e Boezio. Materiali antichi e problemi attuali
EditorsMT Mazzilli Savini
Pages330-351
Number of pages22
Publication statusPublished - 2013

Keywords

  • Michelino da Besozzo
  • Pavia tardogotica
  • Pittura veneziana del XIV secolo
  • San Pietro in Ciel d'Oro

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