[Autom. eng. transl.] The terms rhythm and time, important notions in psychomotricity, occupy a prominent place in the languages of theatrical communication: they are the quid that gives meaning and meaning to the body and to the image, to movement and to sound, thus allowing the theater, where the actors make use of all these expressive means, to be heard and understood. Only through a rhythmic score, a gesture, even a short series of words or music, does it all make sense, managing to manifest that hidden set of motivation and emotion that the interpreter has transformed into an understandable, capable form of expression. to be seen or heard; for example, the feeling of cheerfulness will have a fast and intense rhythm, which will give rise to a series of rapid and light movements, and will also characterize verbal language in the same way.
|Translated title of the contribution||[Autom. eng. transl.] Verbal language in theater: words take shape in rhythm and rhythm in time|
|Number of pages||12|
|Journal||STUDI DI SOCIOLOGIA|
|Publication status||Published - 2011|
- Pedagogia Teatrale
- Sociologia teatrale