Il First person shot come forma simbolica. I dispositivi della soggettività nel panorama postcinematografico

Translated title of the contribution: [Autom. eng. transl.] The First person shot as a symbolic form. The devices of subjectivity in the post-cinematographic panorama

Research output: Contribution to journalArticlepeer-review

Abstract

The First person shot is intended as a new kind of audiovisual language configuration, derivated from videogame field and extended to a number of cinematic figures. It refers to a new kind of subjectivity, linked no longer to a "positional" idea of the viewer, but rather to a "relational" one
Translated title of the contribution[Autom. eng. transl.] The First person shot as a symbolic form. The devices of subjectivity in the post-cinematographic panorama
Original languageItalian
Pages (from-to)19-23
Number of pages5
JournalRETI SAPERI LINGUAGGI
Volume4
Publication statusPublished - 2013

Keywords

  • audiovisual media
  • cinema
  • film
  • media audiovisivi
  • semiotica
  • semiotics
  • soggettività
  • subjectivity
  • videogames
  • videogioco

Fingerprint

Dive into the research topics of '[Autom. eng. transl.] The First person shot as a symbolic form. The devices of subjectivity in the post-cinematographic panorama'. Together they form a unique fingerprint.

Cite this