Gianni Cicali, Teatro ed eresia nel Settecento italiano, Bulzoni, Roma 2021

Translated title of the contribution: [Autom. eng. transl.] Gianni Cicali, Theater and heresy in the Italian eighteenth century, Bulzoni, Rome 2021

Roberta Carpani*

*Corresponding author

Research output: Contribution to journalBook/Film/Article review

Abstract

[Autom. eng. transl.] In studies on eighteenth-century theater in Italy, alongside the great construction sites of national critical editions (think of the editions of Carlo Goldoni, Carlo Gozzi, or even Pietro Metastasio) and the insights into individual playwrights and specific areas and cultures of representation , we note the volume by Gianni Cicali, Teatro ed heresia nel Settecento italiano, which investigates some karst paths of writing for the scene in the eighteenth century. The common thread that unites the different geographical contexts and the different writing practices explored in the volume is the heresy that connotes and unites the profile of the playwrights considered, both in the Florentine area and on the Neapolitan scenes, and finally in the multiform geographical paths of the texts of the Olivetan monk Francesco Ringhieri, between commercial circuits and private spaces.
Translated title of the contribution[Autom. eng. transl.] Gianni Cicali, Theater and heresy in the Italian eighteenth century, Bulzoni, Rome 2021
Original languageItalian
Pages (from-to)1-3
Number of pages3
JournalForum Italicum
DOIs
Publication statusPublished - 2023

Keywords

  • Performing Arts
  • Theatre
  • arti performative
  • teatro

Fingerprint

Dive into the research topics of '[Autom. eng. transl.] Gianni Cicali, Theater and heresy in the Italian eighteenth century, Bulzoni, Rome 2021'. Together they form a unique fingerprint.

Cite this