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FROM GENEALOGY TO GENETIC MEMORY. Visualising Kinship and Deep Ancestry in Media Imagery

Research output: Contribution to journalArticlepeer-review

Abstract

Over the last few decades, we have been witnessing a revival of interest in kinship and genealogical\r\nresearch: from family trees on the Web to documentary series, the ways of representing\r\nrelatedness have developed thanks to the remediation of both ethnographic devices and media\r\ntechnologies. On one hand, this suggests that the fact of visualising kinship connections deals\r\nwith certain norms of selective remembrance implicitly embodied in social conventions. On the\r\nother, it seems quite surprising that such a visual equipment, being currently reinvented by audiovisual\r\ndevices, lies mostly unexplored. The current literature describes the ways in which ideas\r\nof kindship, commonality and connection are taken into account within media fields, such as\r\nwebsites, newspaper reportages, TV documentaries, maps, material culture and science press. But\r\na more systematic analysis of the formal patterns, which are applied to represent family affinities,\r\nwould help to figure out which communicative and visual strategies could potentially mould the\r\nimagined relations users and spectators have with the lives of other people. By analysing two\r\naudiovisual products (i.e. the series Who Do You Think You Are? and Momondo’s campaign The\r\nDNA Journey),this essay aims to identify the visual forms that are currently matched to construct\r\na real genealogical apparatus. These audiovisual products clearly interweave biological realities\r\nwith the way they are socially narrated, which also applies to objective data such as records or\r\nmaps of genetic relatedness. This is the reason why the essay will also explore the genomic imaginary\r\nthat underpins the apparatus set up to find out individual’s ancestral affinity through DNA test\r\nresults. Genealogy seen as an imaginative process plays an important role in today’s audiovisual\r\nproduction by affecting the spectator’s experience of an imagined ‘deep past’ and a new sense of\r\nidentity based on shared roots.
Original languageEnglish
Pages (from-to)321-335
Number of pages15
JournalComunicazioni Sociali
Issue number2
DOIs
Publication statusPublished - 2020

All Science Journal Classification (ASJC) codes

  • Cultural Studies
  • Communication
  • Visual Arts and Performing Arts

Keywords

  • Audiovisual media
  • family tree
  • genealogical imagination
  • genealogy documentary
  • genetic memory

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