Abstract
[Autom. eng. transl.] Dante's Lucifer is built on the basis of two figures of speech, the antithesis and the parody. Lucifer is antithetical in itself, signifying the irremediable inner fissure caused by sin; and it is parodic with respect to God, who strives to imitate without success. It is parodic, not antithetical, as it is usually said, thus risking to attribute to Dante a Manichean vision, which places God and Lucifer on the same level, albeit with an opposite value sign. Dante, by resorting to parody, wants instead to point out, in a fruitful symbiosis between forms and contents, the secondary nature of the evil of evil with respect to the good, its impossibility to exist without the good: exactly as the parody cannot be given without a parody that precedes it and establishes it.
| Translated title of the contribution | Forms of evil. Antithesis and parody in 'Hell' |
|---|---|
| Original language | Italian |
| Title of host publication | Peccato, penitenza e santità nella «Commedia» |
| Publisher | Bulzoni Editore |
| Pages | 81-98 |
| Number of pages | 18 |
| ISBN (Print) | 978-88-6897-031-4 |
| Publication status | Published - 2016 |
Keywords
- Alighieri Dante
Fingerprint
Dive into the research topics of 'Forms of evil. Antithesis and parody in 'Hell''. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver