Abstract
[Autom. eng. transl.] Dante's Lucifer is built on the basis of two figures of speech, the antithesis and the parody. Lucifer is antithetical in itself, signifying the irremediable inner fissure caused by sin; and it is parodic with respect to God, who strives to imitate without success. It is parodic, not antithetical, as it is usually said, thus risking to attribute to Dante a Manichean vision, which places God and Lucifer on the same level, albeit with an opposite value sign. Dante, by resorting to parody, wants instead to point out, in a fruitful symbiosis between forms and contents, the secondary nature of the evil of evil with respect to the good, its impossibility to exist without the good: exactly as the parody cannot be given without a parody that precedes it and establishes it.
Translated title of the contribution | [Autom. eng. transl.] Say bad. Dante's "Inferno" 750 years after the poet's birth (1265-2015) |
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Original language | Italian |
Pages (from-to) | 75-85 |
Number of pages | 11 |
Journal | MUNERA |
Publication status | Published - 2015 |
Keywords
- Alighieri Dante
- Commedia
- Divine Comedy