Dentro e fuori dai teatri

[Autom. eng. transl.] The essay provides a summary of the complex path taken by the theater and the live performance as a whole over the time span from 1945 to 1978, dividing it into three periods: "On stage. 1945-1959: towards stability and the norm ”; "Quinte and dressing rooms. 1959-1967: of how, where and why he has to do the theater; "Out of the theaters. 1968-1978: bodies in revolution ”. Going through the lines of the theater of directing, of the new theater, of animation and theater outside the theaters, between names of personalities and historical shows, the essay tries to identify the fundamental joints and themes of an extremely fertile and intense period whose path , difficult to order in a unified development, has led the theater to rethink and transform itself into a plurality of realities and experiences.