Das deutschsprachige postdramatische Theater in Mailand

Translated title of the contribution: [Autom. eng. transl.] The German-language post-dramatic theater in Milan

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Abstract

[Autom. eng. transl.] Over the past few decades, Milan has followed the development of the German-speaking theater scene, especially the post-dramatic, in close proximity. The strong Milanese response to the works of Bertolt Brecht in the 1950s-1970s and the works of Rainer Werner Fassbinder, Thomas Bernhard and Heiner Müller in the 1980s and 1990s has created the basis for a deep understanding of the recent theater scene. Milan is one of the few Italian cities to stage the plays of Elfriede Jelinek. Moreover, she is one of the first Italian cities to express the works of the latest German-language playwrights and acting troupes. Her interest in the German-speaking post-dramatic theater is also confirmed in the unusual revisions of some classics, such as Büchner's "Woyzeck" or Goethe's "Faust".
Translated title of the contribution[Autom. eng. transl.] The German-language post-dramatic theater in Milan
Original languageGerman
Pages (from-to)21-40
Number of pages20
JournalJAHRBUCH FÜR INTERNATIONALE GERMANISTIK
VolumeXLIX
Publication statusPublished - 2017

Keywords

  • Mailänder Theaterszene
  • Scena teatrale milanese
  • Teatro postdrammatico
  • postdramatisches Theater

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