Skip to main navigation Skip to search Skip to main content

Da Milano al Piemonte: i miracoli di san Carlo Borromeo tra letteratura e iconografia

Translated title of the contribution: [Autom. eng. transl.] From Milan to Piedmont: the miracles of San Carlo Borromeo between literature and iconography

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Abstract

[Autom. eng. transl.] Rereading the Carolina iconography in the light of the narrative sources - from the most famous (the Life of Giussani) to the rarest and most unrecognized - the recomposes and integrates the status quaestionis relative to the series of broad bricks exposed in the Milan Cathedral on the occasion of the canonization ( 1610), to then follow, in the diocese of Novara, the traces of an intense devotion, conveyed by images, propitiated by the ecclesiastical components and locally filtered through the requests of the faithful.
Translated title of the contribution[Autom. eng. transl.] From Milan to Piedmont: the miracles of San Carlo Borromeo between literature and iconography
Original languageItalian
Title of host publicationLoca sancta fra Piemonte e Lombardia. Letteratura e rappresentazione iconografica, Atti del convegno di studi, Monte Mesma, 8-9 ottobre 2011
Pages90-115
Number of pages26
Publication statusPublished - 2011
EventLoca sancta fra Piemonte e Lombardia. Letteratura e rappresentazione iconografica - Monte Mesma (No)
Duration: 8 Oct 20109 Oct 2010

Conference

ConferenceLoca sancta fra Piemonte e Lombardia. Letteratura e rappresentazione iconografica
CityMonte Mesma (No)
Period8/10/109/10/10

Keywords

  • Carlo Borromeo
  • Ciclo Miracoli san Carlo nel Duomo di Milano
  • Cusio Devozione san Carlo
  • Devozione san Carlo
  • Milano Duomo
  • Miracoli san Carlo
  • Ossola Devozione san Carlo
  • Storia artistica Seicento
  • Storia religiosa Seicento

Fingerprint

Dive into the research topics of '[Autom. eng. transl.] From Milan to Piedmont: the miracles of San Carlo Borromeo between literature and iconography'. Together they form a unique fingerprint.

Cite this