Abstract
[Autom. eng. transl.] The contribution constitutes an in-depth analysis of the relationship between the sculptor from Pescia, Libero Andreotti, and the Art Theater of Luigi Pirandello. The results of the archival investigations conducted at the funds of the GNAM of Rome, the State Institute of Art of Florence, the Gipsoteca of Pescia, the Library Museum of the Actor of Genoa, the Civic Museums of History and Art of Brescia and APICE in Milan allow us to define in its contextual contours, in particular, the engagement of Andreotti for the stage sculpture of "Diana e la Tuda", represented in Milan in 1927.
| Translated title of the contribution | [Autom. eng. transl.] "With its clarity of surreal plaster casts". Libero Andreotti at Luigi Pirandello's Art Theater. Metaphysical curtain* |
|---|---|
| Original language | Italian |
| Title of host publication | Libero Andreotti e il rapporto con l'antico nella scultura italiana del primo trentennio del Novecento |
| Pages | 22-37 |
| Number of pages | 16 |
| Publication status | Published - 2023 |
Keywords
- Libero Andreotti
- Novecento
- Scultura
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