[Autom. eng. transl.] The elimination of the cinema apparatus as a consequence of the convergence among the media has made the identification of the cinematographic experience problematic (and for some even its very possibility of survival). The essay moves from this premise to propose a key to reading and entering the alternative phenomenon, which looks at the experience of cinematographic fruition as a particular set of relations (with reference to the model of the ANT elaborated by Latour), structure that is it can give even in the absence of the hall or of the classic socio-technical apparatus. The essay also proposes to search for the traces (and the peculiar forms that this arrangement assumes) in the UGC production inspired by cinematographic products, understood as a tangible epiphenomenon of the spectator's experience.
|Translated title of the contribution||[Autom. eng. transl.] Cinema-Grand Master. The film and its experience in the era of convergence,|
|Title of host publication||Il cinema della convergenza. Industria, racconto, pubblico|
|Number of pages||12|
|Publication status||Published - 2012|
- AUDIENCE STUDIES
- CINEMATIC EXPERIENCE
- MEDIA CONVERGENCE