[Autom. eng. transl.] Since the end of the eighteenth century, several murals ended up outside the natural confines of the peninsula that had been torn or detached from their original location. Great Britain was among the nations most attentive to collecting frescoes and especially, in the nineteenth century, placed its attention on Emilian painting.
|Translated title of the contribution||[Autom. eng. transl.] Notes on several paintings detached from the wall and transported from Italy to Great Britain and especially of two Bolognese frescoes by Ludovico Carracci and Guido Reni|
|Title of host publication||Mosaico. Temi e metodi d'arte e critica per Gianni Carlo Sciolla|
|Number of pages||13|
|Publication status||Published - 2012|
- Gran Bretagna