Abstract
The article outlines the most significant features of the project for the transformation of the theatre in Brescia between 1796 and 1798 , interpreting it as a "laboratory" for the implementation of Francesco Salfi's reform thinking.
| Original language | English |
|---|---|
| Title of host publication | Napoleonic Milan Laboratory of modernity and strategies of representation |
| Pages | 269-292 |
| Number of pages | 24 |
| Publication status | Published - 2022 |
Keywords
- History of Theatre