Biennale 2015: né vincitori né vinti nell’Arena

Translated title of the contribution: [Autom. eng. transl.] Biennale 2015: neither winners nor losers in the Arena

Caterina Iaquinta

Research output: Contribution to journalArticle

Abstract

[Autom. eng. transl.] An analysis of the 2015 Biennale of Venice that is linked to the "reformed biennial" of 1974 of which the 56th edition of the review, All the World's Futures, curated by Okwi Enwezor, follows some instances. In particular, the contribution focuses on the exhibition format of the exhibition presented at the Italian Pavilion of the Gardens in which "the arena", the theater of reading Das Kapital by Marx as an active moment of participation, represents the thematic focus, not only of the central exhibition but of the entire Biennale.
Translated title of the contribution[Autom. eng. transl.] Biennale 2015: neither winners nor losers in the Arena
Original languageItalian
Pages (from-to)1-1
Number of pages1
JournalARCHPHOTO
Publication statusPublished - 2015
Externally publishedYes

Keywords

  • Biennale di venezia, anni settanta, format espositivo, performatività, attivismo, arte politica, arte sociale, spazio pubblico, reading performance, Il Capitale, Karl Marx, Okwi Enwezor

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