Appunti per una lettura diacronica de I giorni sensibili di Alessandro Parronchi

[Autom. eng. transl.] From the first edition of 1941 to the final set-up in the Poems (2000), passing through the collections Una wait (1962) and For roads of the forest and city (1994), the sensitive days undergo profound changes, which concern both the structure of the book, with exclusions and additions of texts, both the individual compositions. The contribution intends to ascertain the extent of these changes and to start a first analysis, in order to identify the underlying motivations: a sign of the "stylistic-formal uneasiness that will always accompany the poet" (Ghidetti), the long process of revision and re-elaboration seems to respond more precisely to the need, which has always been affirmed by Parronchi himself, for communicative clarity. This also implies the gradual distancing from Hermeticism, repeated on several occasions by the same poet and realized in the concreteness of (re) poetic writing.