ANGELA IDA VILLA, Sul Pascoli cripto-interprete di Leopardi. La memoria del mazzo floreale del Polifemo dell’Idillio XI di Teocrito nelle notazioni reticenti, dissimulatrici e depistanti circa l’abbinamento “sbagliato” delle «viole di marzo» con le «rose di maggio» nel «mazzolin» del Sabato del villaggio

[Autom. eng. transl.] INDEX. I. Introduction to the Pascoli crypto-poet, as well as a reticent, dissembling and misleading interpreter of Leopardi's symbolic "mazzolin of roses and violas", a poet who, according to Pascoli, reader of "Sabato del villaggio", "dissimulates"; I.1. The poet "does not impose himself to say everything, to declare everything, to explain everything, like a guide who speaks in verse; but let the reader think and find for himself, after having put forward enough to understand ": the Pascoli crypto-poet confessed in the poem commentary" April 21st "/" XI Kal. Maias "(October 15th 1895 ); I. 2. The intermezzo on the X-ray view of the poet-hierophant, which illuminates the "veiled appearances" and the "concealed essences", in the reticent, dissembling and deterrent disquisition on the roses and violets of the second paragraph of the article "The village Saturday "(March 29, 1896); II. In the footsteps of Pascoli, crypto, interpreter of Leopardi's symbolic «mazzolin of roses and violas». Greek sources of roses and violets disguised in the Pascoli texts both before and after the Leopardian lecture of March 24, 1896: ΣΛΟΩΝ (April 1895), "Crisantemi" (February 12, 1896), "From the Egyptian tombs. Bacchylides [I]" (25 December 1897), "Digitale purpurea" (20 March 1898) and "Il fanciullino" (1903); II.1. Some considerations on the crypto-interpreter Pascoli, in his verses, of Leopardi's «mazzolin of roses and violas» and some hints of Carducci's crypto-Dionysian roses and violets; III. The Pascoli crypto-interpreter of the "Sabato del villaggio" in the Bologna academic lessons; III.1. The reticence of Kóré ("La donzelletta") and the "feast [...] grave" in the "Third Lesson" on the "Sabato del villaggio" of the AA. 1905-6; III.2. Towards the solution of the Pascolian notation on the "March violets" that could not have been together with the "May roses" in the same "mazzolin": the reticence of the "Idyll XI" by Theocritus in the "Ninth Lesson" on "A Silvia "of the a. 1907-8; IV. «And white lilies would take you, / or tender poppies with red petals. / But these bloom in summer, those in winter, / and so I could not bring them all together ". The arguments of Polyphemus of Theocritus ("Idilli", XI, 56-9) echoed by Pascoli, a pedantic florist, critical of the Leopardian combination of "March violets" with "May roses" (and a reference to the equivalence of roses + violas = flowers handed down by the "Deipnosofisti" of the University); IV.1. From the bunch of "wrong" flowers of Theocritus to that of Leopardi, passing through the II and IX eglogues of Virgil; IV.2. The "donzelletta" ("κópιoν") of Teocrito XI, 60, recipient of a bouquet of flowers from the seasonally "wrong" combination, and that of Leopardi, from the "mazzolin" of flowers from the combination, according to Pascoli, also seasonally " mistaken"