Andare al cinema a Milano. Fra trasformazioni nazionali e specificità locali

Translated title of the contribution: [Autom. eng. transl.] Go to the cinema in Milan. Between national transformations and local specificities

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Abstract

The essay sketches the history of relationship between audiences and cinema in Milan, through four case studies: the construction of a film viewing ‘relocated’ model, during 1950s; the emergence of a twilight experience of cinema, during the second half of 1960s; the resurrection of moviegoing at the end of the 1990s, and the affirmation of a diffused experience of movies; and, finally, the most recent rise of a widespread film experience, prompted by the spread of the digital platforms as Netflix and by a really film spectator metamorphose. Four moments that announced and induced nationwide changes.
Translated title of the contribution[Autom. eng. transl.] Go to the cinema in Milan. Between national transformations and local specificities
Original languageItalian
Pages (from-to)99-108
Number of pages10
JournalTerritorio
DOIs
Publication statusPublished - 2020

Keywords

  • film audiences
  • cinemas
  • cinematic experience
  • storia della spettatorialità in Italia
  • pubblici di cinema
  • sale cinematografiche
  • esperienza del cinema
  • Italian history of moviegoing

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