Abstract
[Autom. eng. transl.] How does the idea of "live" change, with platforms, and after the social distancing imposed by the pandemic? The word live seems to have become an oxymoron: concerts canceled or postponed, while musical performances abound on social media presented as "live". The live concert is a narrative and productive model, replicated by the media outside the space of physical coexistence and the here and now, whose transformation by digital platforms is a process that has been going on for some time. The article, starting with some examples such as Travis Scott's performance on Fortnite, thinks about how the idea of performance in entertainment and digital media is changing
| Translated title of the contribution | [Autom. eng. transl.] Alive & Digital: live musical performance on the platform |
|---|---|
| Original language | Italian |
| Pages (from-to) | 1-4 |
| Number of pages | 4 |
| Journal | FATA MORGANA WEB |
| Volume | 2020 |
| Publication status | Published - 2020 |
| Externally published | Yes |
Keywords
- Digital media
- Industria musicale
- Liveness
- Popular Music