'A past Which Has Never Been a Present'. Cinema and photography in Blow Up by Michelangelo Antonioni

Ruggero Eugeni

'A past Which Has Never Been a Present'. Cinema and photography in Blow Up by Michelangelo Antonioni

Ruggero Eugeni

Research output: Contribution to journal › Article

Abstract

[Autom. eng. transl.] The article analyzes Blow up by M. Antonioni in the light of a theory of the photographic act

Original language	English
Pages (from-to)	125-135
Number of pages	11
Journal	RSSI. RECHERCHES SÉMIOTIQUES. SEMIOTIC INQUIRY
Volume	28
Publication status	Published - 2008

Keywords

fotografia
photography
semiotica
semiotics

Cite this

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title = "'A past Which Has Never Been a Present'. Cinema and photography in Blow Up by Michelangelo Antonioni",

abstract = "[Autom. eng. transl.] The article analyzes Blow up by M. Antonioni in the light of a theory of the photographic act",

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N2 - [Autom. eng. transl.] The article analyzes Blow up by M. Antonioni in the light of a theory of the photographic act

AB - [Autom. eng. transl.] The article analyzes Blow up by M. Antonioni in the light of a theory of the photographic act

KW - fotografia

KW - photography

KW - semiotica

KW - semiotics

KW - fotografia

KW - photography

KW - semiotica

KW - semiotics

UR - http://hdl.handle.net/10807/166588

M3 - Article

SN - 0229-8651

VL - 28

SP - 125

EP - 135

JO - RSSI. RECHERCHES SÉMIOTIQUES. SEMIOTIC INQUIRY

JF - RSSI. RECHERCHES SÉMIOTIQUES. SEMIOTIC INQUIRY

ER -

'A past Which Has Never Been a Present'. Cinema and photography in Blow Up by Michelangelo Antonioni

Abstract

Keywords

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