Abstract
Four short stories that illustrate how the concept of iconoclasm can help us work around the problem of using language that situates our economy of vision in relation to a false dichotomy between high art and construction work, between the space of the museum and the labour that makes it possible.
| Original language | Chinese (Traditional) |
|---|---|
| Pages (from-to) | 31-38 |
| Number of pages | 8 |
| Journal | XIN MEISHU |
| Publication status | Published - 2018 |
Keywords
- Pedro Costa
- art history
- iconoclasm
- labour
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