If you made any changes in Pure these will be visible here soon.
Filter
Chapter

Search results

  • 2022

    The faces of Napoleon in the dramaturgy performed in Milan: three examples

    Peja, L., 2022, Napoleonic Milan Laboratory of modernity and strategies of representation. Bianchi, A. & Cascetta, A. (eds.). p. 179-204 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • 2021

    Toward the Origin of Performing #MeToo: Franca Rame’s 'The Rape' as an Example of Personal and Political Theatre/Therapy

    Peja, L. & Colombo, F., 2021, Performing #MeToo: How Not to Look Away. Rudakoff, J. (ed.). p. 104-122 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • 2020

    An Aesthetics of Engagement. Intercultural Dialogue and Performative Practices in the Territory of Milan

    Eugeni, R., Peja, L. & Guerinoni, M., 2020, Right to the City. Performing Arts and Migrations. Roberta Paltrinieri, P. P. P. M. M. M. (ed.). p. 159-175 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • When Napoleon went to the theatre. A closer examination of stories and the history of the Milanese patriotic scene

    Peja, L., 2020, The Methuen Drama Handbook of Theatre History and Historiography. p. 90-98 9 p. (Methuen Drama Handbooks).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • 2019

    Introduzione

    Translated title of the contribution: [Autom. eng. transl.] IntroductionBino, C. M., Peja, L. & Innocenti Malini, G. E., 2019, Lo Scandalo del Corpo. Studi di un altro teatro per Claudio Bernardi. Carla M. Bino, G. I. M. L. P. (ed.). p. IX-XXIV

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • Theatre: inside and out (1945-1978

    Peja, L., 2019, Media and Communication in Italy: Historical and Theoretical Perspectives. p. 125-140 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • 2018

    Ai margini dei margini per focalizzare lo sguardo. Le attrici comiche come caso esemplare per lo studio del teatro nella contemporaneità

    Translated title of the contribution: [Autom. eng. transl.] At the edge of the edge to focus the gaze. Comic actresses as an exemplary case for the study of theater in the contemporary worldPeja, L., 2018, Scene. saggi sul teatrao tra testi, sguardi e attori. Bino, C. M. (ed.). p. 243-257 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • 2017

    La performance

    Translated title of the contribution: [Autom. eng. transl.] The performancePeja, L., 2017, Storia della comunicazione e dello spettacolo in Italia; volume III I media alla sfida della convergenza (1979-2012). Grasso, A. (ed.). p. 259-263 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • 2016

    Celebrazione della giustizia e retorica della libertà: la ricezione milanese di Alfieri

    Translated title of the contribution: [Autom. eng. transl.] Celebration of justice and rhetoric of freedom: Alfieri's Milanese receptionPeja, L., 2016, Giustizia e ingiustizia a Milano fra Cinque e Settecento. Cascetta, A. & Zardin, D. (eds.). p. 483-514 32 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • Dagli «Annali della Scuola Superiore delle Comunicazioni Sociali» a «Comunicazioni Sociali. Journal of Media, Performing Arts and Cultural Studies»

    Translated title of the contribution: [Autom. eng. transl.] From the "Annals of the Higher School of Social Communications" to "Social Communications. Journal of Media, Performing Arts and Cultural Studies »Peja, L., 2016, Riviste di teatro e ricerca accademica. Un colloquio e un inventario. Guccini, G. & Petrini, A. (eds.). p. 119-123 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • I drammi brevi di Samuel Beckett e l’evoluzione della scena contemporanea

    Translated title of the contribution: [Autom. eng. transl.] Samuel Beckett's short dramas and the evolution of the contemporary scenePeja, L., 2016, Forma breve. BORGOGNI, D., CAPRETTINI, P. & VAGLIO, C. (eds.). p. 408-417 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • 2015

    Dentro e fuori dai teatri

    Translated title of the contribution: [Autom. eng. transl.] In and out of theatersPeja, L., 2015, Storia della comunicazione e dello spettacolo in Italia volume II I media alla sfida della democrazia (1945-1978). COLOMBO, FAUSTO. & EUGENI, RUGGERO. (eds.). p. 43-59 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • 2014

    Nota su "Lo stupro". Personale e politico: sulla pelle di un'attrice

    Translated title of the contribution: [Autom. eng. transl.] Note on "Rape". Personal and political: on the skin of an actressPeja, L., 2014, Scena madre. Donne personaggi e interpreti della realtà. Studi per Annamaria Cascetta. CARPANI, ROBERTA., PEJA, LAURA. & AIMO, LAURA. (eds.). p. 465-469 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • Oggi... le comiche!

    Translated title of the contribution: [Autom. eng. transl.] Today ... the comedians!Peja, L., 2014, Scena madre. Donne personaggi e interpreti della realtà. Studi per Annamaria Cascetta. CARPANI, ROBERTA., PEJA, LAURA. & AIMO, LAURA. (eds.). p. 511-519 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • Victimised Actors and Despotic Directors: Clichés of Theatre at Stake in Beckett's 'Catastophe'

    Peja, L., 2014, The Edinburgh Companion to Samuel Beckett and the Arts. Gontarski, S. E. (ed.). p. 386-396 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • 2011

    Autentiche finzioni e finte autenticità: gli sconfinamenti tra vita e arte nel teatro di Dario Fo e Franca Rame

    Translated title of the contribution: [Autom. eng. transl.] Authentic fictions and fake authenticities: the boundaries between life and art in the theater of Dario Fo and Franca RamePeja, L., 2011, Dario Fo e FRanca Rame, una vita per l'arte. Bozzetti, figure, scene pittoriche e teatrali. Barsotti, A. & Marinai, E. (eds.). p. 68-80 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • 2005

    1789. La Révolution doit s'arreter a la perfection du bonheur (1970). Scrittura collettiva in festa

    Translated title of the contribution: [Autom. eng. transl.] 1789. The Revolution must stop at the perfection of happiness (1970). Collective writing in celebrationPeja, L., 2005, La prova del nove. Scritture per la scena e temi epocali nel secondo Novecento. CASCETTA, ANNAMARIA. & PEJA, LAURA. (eds.). p. 251-288 38 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • US (1966). La questione del Vietnam nella scrittura collettiva firmata da Peter Brook

    Translated title of the contribution: [Autom. eng. transl.] US (1966). The Vietnam issue in collective writing signed by Peter BrookPeja, L., 2005, La prova del nove. Scritture per la scena e temi epocali nel secondo Novecento. CASCETTA, ANNAMARIA. & PEJA, LAURA. (eds.). p. 97-143 47 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • 2000

    La fortuna scenica italiana

    Translated title of the contribution: [Autom. eng. transl.] Italian scenic luckPeja, L. & Cascetta, A., 2000, Il tragico e l'umorismo. Studio sulla drammaturgia di Samuel Beckett. CASCETTA, ANNAMARIA. (ed.). p. 265-327 63 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter